When returned products are liquidated, this is where it happens. I presume. Maybe it’s just the complaints division.

Coloured and shaded remaster of Inktober 2022 #17, ‘Salty’. In part because I like Rhamphorhynchus. The existence of a fish might be more obvious in this rendition, but I must confess to performing zero palaeontological research into appropriate ichthyans.

Strictly speaking a pelagic pterosaur like Rhamphorhynchus would probably not get so drenched in its natual habitat, in a manner resembling that by which a duck doesn’t, but whatever as it’s much too late for that now. You should have complained during or shortly before the evening of 17 October 2022.

Not the best result. It’s alright, I suppose, but not really what I was aiming for, whatever that might have been.

That metal truss thing around the fuel/chemical storage tanks definitely took up a big chunk of time.

Part of a trans-hemispherical non-postal-postcard to acknowledge the December solstice. Because it was summer here and not there, you see.

Coloured and shaded remaster of Inktober 2022 #24, ‘Fairy’. Biding its time until it can find a mesh fence to flit through.

Some small paintings, about 80 mm each side. Cute pieces of canvas conducive to painting something relatively quick and simple.

Also, silhouettes are cheating.

The first ‘serious’ picture I did with a fancy new display tablet. The picture itself is kinda meh for the time it took. I think the ‘focal length’ is too short.

Bears zero relation to a blackout that occured in the midst of a period of torrential rain at the time.

Fan art of sorts for the video game ‘Infra’. In this game you take photos of damaged infrastructure and documents indicating the context around how things came to be as they are. But there’s no control over framing or exposure so the brief previews that flash up on the camera after a photo are never particularly encouraging. Here, Mark presents the fruits of his efforts.